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trjeam Heavyweight Member
Joined: 06 Nov 2001 Posts: 2072 Location: Edgewood, Maryland
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Posted: Wed Mar 31, 2004 4:04 pm Post subject: |
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i've been doing this caruso thing for about 2 months maybe.. my private instructor had me doing intervals in 7th... about a week ago i find out that i can squeal really loud double G's... then about two days ago i decide to see how high i could take the intervals in 3 and i end up squealing a double C, today i squealled a double F... nuts huh? anyways i can only seemed to do this around 6 pm, whenever i try to do it in the morning in band class i usually get hung around the double G...
i have a could of questions..
is it normal for me to be squealling these highnotes after only 2 months?
is this just a temporary thing or i'm i gona loose my squealling abilities soon?
about how much longer until those squealls turn into real notes?
what makes caruso so different where i'm able to see so fast results with so little practice??
thanks for any help, anwsers, or stories... _________________ Jorge Ayala Jr: Trumpeter/Producer
http://www.facebook.com/JorgeAyalaJr
http://www.twitter.com/JorgeAyalaMusic |
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urbie watrous Veteran Member
Joined: 28 Aug 2003 Posts: 145 Location: Boston -> Chicago -> Flagstaff -> Providence
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Posted: Wed Mar 31, 2004 7:04 pm Post subject: |
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The results you describe are similar to what I've experienced, after I resumed some Caruso practice last fall, after a 25-year (!) layoff.
The important thing to keep in mind -- just from my point of view -- is that Caruso isn't a "high note" method, per se. The high and low range improvement is a result, not a goal, of the exercises. The main thing to be focused on is timing, synchronization, and the Four Rules. Don't overdo the high notes, because -- as I found out -- you can get too much into high notes for their own sake, which isn't good. I've been taking it easy for awhile, just to make sure everything's OK -- but am still feeling the beneficial effects of having resumed the CC exercises. Just do the stuff, not to excess, and take the results as they come, without trying to force anything.
But yeah, the high notes are great!
Urb |
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BobList Heavyweight Member
Joined: 09 Nov 2002 Posts: 1104 Location: Baltimore, MD
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Posted: Thu Apr 01, 2004 4:24 am Post subject: |
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Hey George...glad to see a method is working for you....but just do the exercises, focus on timing, and let the chops learn how to play without you "helping" them along...they know what to do....they know.........
BTW...who are you studying with now that teaches Caruso?.....I've just started Caruso myself, about a week ago.
Bob List, Baltimore |
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musiclifeline Heavyweight Member
Joined: 07 Nov 2002 Posts: 1045 Location: New Orleans, LA
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Posted: Thu Apr 01, 2004 6:00 am Post subject: |
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Same thing happened to me after about the same amount of time (well, no double F). It's normal, and those notes will become real eventually. There's no set amount of time, just don't get overexcited about it and try to hit them all the time. Outside of Caruso, try to play short little melodies up there (even just a few notes), but only if your chops (and your air) are feeling up to it.
Those squeals are an excellent sign though. Learn to control them and center them via Caruso, and you'll have some screamin' high notes--just don't be in too much of a rush. |
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_bugleboy Carmine Caruso Forum Moderator
Joined: 11 Nov 2001 Posts: 2865
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Posted: Thu Apr 01, 2004 7:13 am Post subject: |
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Carmine used to say that the "good" notes come from the "bad" ones.
You often get notes soft before they become loud.
Practicing very low (pedals) will teach you how to play high.
Practicing slow will teach you to play fast.
Don't be result conscious and DON'T THINK!
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Pick up a copy of The Inner Game Of Tennis by W. Tomothy Gallwey, which, IMO, articulates the basic principle of the Caruso approach quite well.
Carmine developed a mode of practice that implements that principle for the trumpet. |
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BobList Heavyweight Member
Joined: 09 Nov 2002 Posts: 1104 Location: Baltimore, MD
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Posted: Thu Apr 01, 2004 10:09 am Post subject: |
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The hard thing is to incorporate the "INNER GAME" WHILE PLAYING....IT NEEDS TO MELD INTO ONE, i'M HOPING THAT cARUSO WILL DO THAT FOR ME....i'VE NOTICED THAT SO FAR, ONE WEEK INTO IT, THAT MY BREATHING IS NOT WORKING CORRECTLY IN THE HIGH REGESTER( doing the seconds drill) ...BUT i HAVE PATIENCE knowing that the drills will teach me to correct it ( sorry, damn caps key sticks).. It doesn't bother me because during normal playing, all is well. I'm hoping the the drills EXPOSED this problem rather than "caused" it, in a way. I have faith that it will straighten out. Anyone else experience something like this?
Bob List, Baltimore |
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trjeam Heavyweight Member
Joined: 06 Nov 2001 Posts: 2072 Location: Edgewood, Maryland
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Posted: Thu Apr 01, 2004 11:06 am Post subject: |
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to bob list:
i'm studying with this guy named cliff from a local music store... as far as the breathing i was having problems with it too until i started to do my clarkes technical studies again.. _________________ Jorge Ayala Jr: Trumpeter/Producer
http://www.facebook.com/JorgeAyalaJr
http://www.twitter.com/JorgeAyalaMusic |
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pepperdean Heavyweight Member
Joined: 10 Mar 2004 Posts: 650 Location: Johnson City, Texas
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Posted: Thu Apr 01, 2004 2:40 pm Post subject: |
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When the squeaks started to come out, Carmine would say, "where there's smoke, there's fire."
The important thing is that practicing the Caruso exercises will promote better embouchure balance. the higher the notes, the better the balance. You will find higher notes will gradually speak, akthough this is not the specific goal of the practicing.
These squeaks will eventually grow into notes as your body responds to the particular challenge each exercise presents. Your teacher should tailor your practice program to your unique progress. Just do the practice, observe the changes, and don't think.
Alan Dean |
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