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Wilktone Heavyweight Member
Joined: 25 Aug 2002 Posts: 727 Location: Asheville, NC
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Posted: Thu Oct 03, 2002 7:28 am Post subject: |
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In an e-mail message to me Paul mentioned the "puffy cheek routine" as a way of helping one of my trumpet students speed along his embouchure type switch. Doug Elliott, when first helping me realize that I should be a type IVA, had me doing some cheek puffing. The trouble is, it was really difficult for me to puff my cheeks and play at that time, so he never described the whole routine to me.
Could someone please detail what this routine is and how to use it, particularly for a trumpet player making the switch from playing like a type IIIB to a type IV?
Thanks!
Dave _________________ wilktone.com |
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bgibson Veteran Member
Joined: 04 Sep 2002 Posts: 211
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Posted: Thu Oct 03, 2002 2:56 pm Post subject: |
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David;
I can describe and play the routine for you. I do it every day and have been for the last 20 years.
I am not sure how it would relate to a switch from IIIB to a IV.
Scott Holbert or Dave Sheetz may be able to answer that question.
WEG |
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scream Veteran Member
Joined: 26 Aug 2002 Posts: 148 Location: Sandy Springs, GA
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Posted: Thu Oct 03, 2002 3:35 pm Post subject: |
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Hi Dave,
Me (Paul) again.....
The drill is orgignally called "The Relaxation Routine". I am going to quote directly and paraphrase....hope no one minds.
The first note you play is a "G" on the top of the staff for 8 counts. Then top space E, C, and second line G in the same fashion. "Use a HOOOO no tongue attack-with the cheeks puffed out-and use more than your usual amount of mouthpiece pressure. Inhale in the normal mouth corner manner and repeat in the identical fashion. At the conclusion of the repeat, remove the mouthpiece from the lips for four counts-then continue in the identical manner to the conclusion of the drill. The volume may vary from day to day; this is normal. THE PURPOSE OF (THE) DRILL ... (IS) TO MAKE IT POSSIBLE FOR YOU TO HAVE IDENTICLE MOUTHPIECE PLACEMENT FROM ONE DAY TO THE NEXT, REGARDLESS OF THE AMOUNT OF EMBOUCHURE SWELLING OR LOSS OF FEEL."
So, Top of the staff "G" for 8 counts, nose breath and repeat. Mouthpiece off, rest 4 counts. "E" 8 counts, nose breath, repeat. Mouthpiece off, rest 4 counts. Middle "C" 8 counts, nose breath, etc......to second line "G"
Besides getting day to day identical mouthpiece placement (and this is not explained on the sheet), your jaw needs to be in the correct position to get that first "G" out (and he wants that "G" to be your psychological middle register). It also helps you find your legs and relaxes the cheek area. So this drill does several things at once.
Hope this makes sense..... _________________ Paul Garrett
Sandy Springs, GA
The right to be heard does not automatically include the right to be taken seriously.
Hubert H. Humphrey
US politician (1911 - 1978) |
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