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Pedro Heavyweight Member
Joined: 26 Nov 2001 Posts: 539
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Posted: Wed Jun 12, 2002 10:01 am Post subject: |
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Hey Gang,
I was fiddlin' around between axes and doing some upper register work. I know this topic has probably been addressed in one form or another but I was wodering what fingerings you're using Between F# above the staff and Bflat? I'm noticing the slotting and sound are the major variables between the horns I'm using (Bach 72 Lightweight and Yammie Z). Just wanted to get the opinions of my TH collegues! Here's an example. On my Bach, a G above high C will slot well in the open position, while my Z slots the G better fingering 1 and 3. |
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_bugleboy Carmine Caruso Forum Moderator
Joined: 11 Nov 2001 Posts: 2865
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Posted: Wed Jun 12, 2002 11:59 am Post subject: |
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If I have to move around between G and C (and above), for me it is easier and much cleaner to just play everything open.
I have only recently figured this out, and really fought a lot of different fingerings for a long time trying to play melodies and lines up there and be able to make it sound clean. Try it. |
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Pedro Heavyweight Member
Joined: 26 Nov 2001 Posts: 539
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Posted: Wed Jun 12, 2002 1:04 pm Post subject: |
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Hey Charly! That's definitely something I will work with. Two questions with your suggestion. Once you discovered that the open position worked better, how long of an adjustment period in general did it require (realizing of course that everyone is different). Secondly, does this also work just as easily for you when you move from one horn to another ie. B flat to B flat (if you even use another "axe")? Also Charly, thanks so much for the Caruso tips! Chops are feelin' better everyday!!!
[ This Message was edited by: Pedro on 2002-06-12 16:05 ]
[ This Message was edited by: Pedro on 2002-06-12 16:06 ] |
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Greatest Trumpeter Veteran Member
Joined: 18 Mar 2002 Posts: 127 Location: CA, USA
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Posted: Thu Jun 13, 2002 5:12 pm Post subject: |
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What seems to help me is to use a good amount of "support". Using my abdominals and oblique muscles to give the support. Also taking a deep breath, expanding in the front back and sides (try not to move your shoulders upward) seems to help me. _________________ SCHILKE
"O Music, sphere-descended maid
Friend of pleasure, wisdom's aid" -William Collins
"So live that you can look any man in the eye and tell him to go to hell." -Anon |
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_bugleboy Carmine Caruso Forum Moderator
Joined: 11 Nov 2001 Posts: 2865
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Posted: Thu Jun 13, 2002 5:27 pm Post subject: |
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***** Once you discovered that the open position worked better, how long of an adjustment period in general did it require (realizing of course that everyone is different). *****
No adjustment period. I immediately started playing the notes open from G on up. Works great.
***** Secondly, does this also work just as easily for you when you move from one horn to another ie. B flat to B flat *****
I've only tried this on my Shewhorn, my only Bb. I'm guessing it would be similar on most horns.
You're welcome for the Caruso tips. |
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