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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9086 Location: Hawai`i - Texas
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Posted: Sat May 04, 2024 9:59 pm Post subject: |
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Are "upstream" and "downstream" embouchures used in Stevens' pedagogy? _________________ "If you don't live it, it won't come out of your horn." Bird
"I wouldn't play like Wynton Marsalis even if I could play like Wynton Marsalis." Attributed to Chet
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet |
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steve0930 Veteran Member
Joined: 07 May 2018 Posts: 195
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Posted: Sat May 04, 2024 11:25 pm Post subject: |
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Hi herbievantetering
Quote: | Stevens Costello is not a useful system |
I am curious to know why you have resurrected (Today Easter Sunday in Orthodox Calendar..) a thread 11 years old only to refute it? It feels like the Dog that didn't bark in the Night.
Cheers Steve
PS Feel free to use the word "Elementary" in your reply. _________________ My Number 1 supporter
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JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3334 Location: Endwell NY USA
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Posted: Sun May 05, 2024 5:15 am Post subject: |
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kehaulani wrote: | Are "upstream" and "downstream" embouchures used in Stevens' pedagogy? |
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Stevens writes about 'aiming the air up', but I don't think he gets into determining the actual direction of air flow.
He also doesn't directly associate the direction of the 'aiming' with the distribution of upper / lower lip rim position (as is sometimes done regarding Reinhardt terminology).
My feeling is that Stevens has an emphasis on controlled lower lip rim pressure and jaw position - and that is used to accomplish 'aiming the air up'. _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
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Al Innella Heavyweight Member
Joined: 08 Jul 2008 Posts: 756 Location: Levittown NY
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Posted: Sun May 05, 2024 6:29 am Post subject: |
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JayKosta wrote: | kehaulani wrote: | Are "upstream" and "downstream" embouchures used in Stevens' pedagogy? |
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Stevens writes about 'aiming the air up', but I don't think he gets into determining the actual direction of air flow.
He also doesn't directly associate the direction of the 'aiming' with the distribution of upper / lower lip rim position (as is sometimes done regarding Reinhardt terminology).
My feeling is that Stevens has an emphasis on controlled lower lip rim pressure and jaw position - and that is used to accomplish 'aiming th
e air up'. |
Where do you direct your air when playing F and G above high C. If you can demonstrate this we might see and understand how it's done and hear how it's supposed to sound. It would clear up a lot of questions. |
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